A tree falls when no one hears, does it make a sound?
2021
Worms, resin, thermoplastic, glass, aluminum alloy, sound&speaker set
面包虫,光敏树脂,热塑塑胶,玻璃,铝合金,音频及音响组件
Size variable
尺寸可变
With the continuous development of scientific and technological information, the world is being constantly understood by human beings. Is that true?
In the serie of A tree falls when no one hears, does it make a sound? , materials, time and space structures are reorganized in a random and impromptu way, and biological, organic, electronic signals, and algorithmic data are mixed together to build an unstable symbiotic environment and test the balance between ethics and aesthetics in the Anthropocene.
The minimal but high frequency sound of vibrating wings and subtle bells‘ rings shared an aural imperceptibility correspondingly. Both of them are trying to imitate and aggress each other simultaneously. The spontaneous crickets‘ sonation and distinct bell rings which generated by disciplinary electricity have represented a contending bewteen an organism and the artificiality. The two are vying for the discourse of the space in a whispering way.
科技信息的不断发展,使得世界正被人类不断理解。果真如此吗?
《一棵树倒了没有人听见,那么它发出声音了吗?》系列中, 材料、时间与空间结构以随机又即兴的方式重组,并且将生物、有机体与电子信号、算法数据混合杂糅,以此构建一种不稳定的共生环境,试探人类世下伦理与美学的平衡点。
折纸般的巨型菌类形态雕塑在其具有迷幻性的生物文化特质之外,3D打印的数字结构与手工制造的古典纹理的结合令其自然形态叠加了关乎历史、科技、伦理的多重暗喻。面包虫身处雕塑的声音震动之中,它看似僵直、颤抖、停顿又踌躇的一系列表象令观者极易对其产生某种情绪上的直接联想,但这种对生物产生的共情是否是我们的主观臆测?
作品中所出现的人声,截取自人类表达逻辑之外、原始的发声习惯。这些发声不具任何意义,只是作为一种震动频率嵌入雕塑,成为面包虫的温床。
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USB Project , 2021 Madein Gallery
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USB Project , 2021 Gallery Func
USB多端口链接展,2021 Func画廊
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